In the Milano collection, the surface of the velvet welcomes contrasting lines and patterns.
Freed from its monochromatic traditions, velvet offers unexpected but decisively graphic images. The softness of these creations is imbued with the pictorial inspirations of the Memphis movement: views impregnated with enigmatic architectural forms, the geometric shapes of the free-thinking art of Ettore Sottsass and the stones scattered through the contrasts of the Valle d’Aosta.
