Cornelis reinterprets a cross-stitch document from the Pierre Frey archives as a graphic jacquard, its complex interweaving and subtle shifts recalling Maurits Cornelis Escher's constructions — impossible pavements, explorations of the infinite. The name tips its hat to the artist; the weave earns the comparison, the pattern seeming to fold through itself as the eye follows. Needlework logic, raised into gentle paradox.
