Jazz represents Le Manach's pioneering 1928 toile de Tours, a design that captures the aesthetic fascination early twentieth-century Europe held for African culture. The pattern embodies this historical moment with distinctive motifs reflecting the continent's visual vocabulary. Meticulously hand-tufted in New Zealand wool, the composition combines cut and loop pile to create textural depth and visual interest. The interplay between these pile variations animates the surface, offering both tactile richness and dimensional character that rewards close observation from any vantage point within a room.
