Here again is Christian Astuguevieille's 'imaginary writing', as he likes to call it. Moucharabieh comes from the artist's notebook — drawn in ballpoint, coloured in pencil, then recomposed and enlarged into a jacquard. His favourite figurative elements appear, amphorae, objects and shields, combined with a more abstract, graphic motif; and because the fabric is double-faced, the drawing exists in positive on one side and negative on the other. A sketchbook, woven.
